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http://www.iantiqueonline.com antique musical instruments19th century German violin

Author: antiquedealers
Keywords: antique instruments musical
Added: November 18, 2008

Please Help Appraise My Dobro Guitar

Here I show all the older guitars I own that may be of some value and need insured. I don't know their worth, but maybe YOU do!??! Please take a look and then tell me what you think! Silvertone, Lyle, Takamine (1960's?), & Dobro (1929 or before?)

Author: parvana73
Keywords: Vintage Guitar Guitars Antique Old Musical Instruments Appraisers Appraisal Collectors Silvertone Lyle Takamine Dobro
Added: November 12, 2008

S34ATPF

Stentor violin 3/4 antique finished flamed

Author: GDviolin
Keywords: Stentor violin classical music string instrument antique 3/4 flamed
Added: November 11, 2008

S34ATP

Stentor violin 3/4 antique finished

Author: GDviolin
Keywords: Stentor violin classical music string instrument antique 3/4
Added: November 11, 2008

S24ATP

Stentor violin 2/4 antique finished

Author: GDviolin
Keywords: Stentor violin classical music string instrument antique 2/4
Added: November 11, 2008

S14ATP

Stentor violin 1/4 antique finished

Author: GDviolin
Keywords: Stentor violin classical music string instrument antique 1/4
Added: November 11, 2008

S18AOPF

Stentor violin 1/8 one piece antique finished flamed

Author: GDviolin
Keywords: Stentor violin classical music string instrument antique 1/8 one piece flamed
Added: November 11, 2008

S18ATPF

Stentor 1/8 Violin antique finished flamed

Author: GDviolin
Keywords: Stentor violin classical music string instrument antique 1/8 flamed
Added: November 11, 2008

1923 Vega Tenor Banjo

My first thumb pick video! This excellent survivor is complete down to every detail including the original case. I re-strung it and tightened up the head and it was ready to play as recovered. The Vega Banjo Company out of Boston is legendary and this piece is an outstanding example of their work.

Author: Birdog225
Keywords: Banjo bluegrass Vega Tenor Violin Mandolin Country Folk
Added: November 7, 2008

Strawberry Fields Forever Literal Music Video

after seeing the great Take on Me Literal Music Video, i just had to carry on the fad, by 'literalizing' Strawberry Fields Forever, by the Beatles (in colour :D) Lyrics: Strawberry Fields Forever Literal Version Walking backwards and, hit the pi-an-o Stamped the cam Now go slow-mo Now walk around the instrument Super Impose McCartney Now change into George Harrison Now super impose John Lennon And if you want to you can do Ringo as well And now walk backwards in slow mo You are super man, now turn down the sky Youre all on drugs Close up off Paul Whos that down there, oh its my mates Play the mystical instrument Look at my face through piano strings And now Ive turned into Ringo Hello George, oh my god, whats this, its a piano And now I will play with the strings Oh my god youre drunk, you dropped the camera Spooky shadow Peeekabooboo! Now look at my nice glasses Oh look its Ringo say hello Its a depressed George Harrison Hey Paul over here look at this And now the camera will circle the piano That was George for no apparent reason Jesus Christ Ringo, dont sneak up on us. Strings from heaven Weird faces too Check out this uber light arrangement Do it to me too, oh thats cool! Now look at my glasses close up Now I will head butt the camera Psychedelic guitar Wreck the piano What the hell are we doing to this nice antique? What the hell? Nuclear fallout You missed a spot Now do lots of unimaginable things, now stop Enjoy, and Rate and Comment

Author: dking987
Keywords: literal music video aha take on me parody song beatles drugs lsd penny lane real camera tree piano ringo lol fad wrench
Added: November 7, 2008

The Delta Blues Undocumented Facts

This short film is part 3 of the forgotten facts about the Blues, for some reason people seem to think that expensive steel body Dobros and Stratocasters are instruments the Blues was founded on, the truth is people in poverty couldn't afford them, they had to make there own guitar. Muddy Waters played a Fender at age 45....but sitting on the banks of the Mighty Mississippi at age 15, buying a guitar was not an option and just a dream...this is how he did it....this is how he got his start. This is the combined collection of Shane Speal's cigar box guitars, Bill Jehle's museum and some of my photos I have collected over the years. I have so many more photos but tried to pick the best and most colorful guitars from the museum for you to see. I only had only 4 minutes for the video but about 400 antique Cigar box guitar shots so I could only choose about 30. I'd like to thank Shane for his dedication to document the history and researching the cigar box guitar. There is so much more to learn but only one lifetime, I hope all viewers of this short film understand the countless hours spent gathering all this information and I hope you enjoy....most important, try it yourself...build a cigar box guitar and ask yourself..."Do I have Beans?????"

Author: johnmcnair
Keywords: Delta CIGAR BOX GUITARS GUITAR FOLK MUSIC BANJO DOBRO TENOR LAP STEEL STELLA COUNTRY BLUES MARTIN JAZZ SLIDE ELECTRIC
Added: November 7, 2008

Sergey Khachatryan Interview

Sergey Khachatryan Sergey Khachatryan was born in 1985 in Yerevan, Armenia, into a musical family. He began his studies with Prof. Josef Rissin of the Karlsruhe Musik Academy. In December 2000 Sergey won First Prize in the VIII International Jean Sibelius competition in Helsinki, and became the youngest ever winner in the history of the competition. Sergey has subsequently appeared throughout Finland, most recently performing the Khachaturian Concerto with the Finnish Radio Symphony and Mikko Franck. Following his UK debut in March 2001 with the English Chamber Orchestra, Sergey has given performances throughout Great Britain, with orchestras including the Bournemouth Symphony Orchestra; the Royal Philharmonic Orchestra; the BBC Philharmonic and the City of Birmingham Symphony Orchestras. The 2003-2004 season saw Sergey's debut in Japan performing the Khachaturian Concerto with the Tokyo Philharmonic under Vladimir Fedoseyev and his debut at the Royal Festival Hall with the Philharmonia Orchestra, again performing the Khachaturian Concerto, performances of the Bach double Concerto with Anne Sophie Mutter and the London Philharmonic Orchestra and the Sibelius Concerto with Neeme J�rvi and the BBC Philharmonic at Bridgewater Hall in Manchester. Other highlights from the season include performances of the Tchaikovsky Concerto with the Royal Concertgebouw Orchestra and Manfred Honeck in Amsterdam; the Beethoven Concerto with G�nter Herbig and the Berlin Symphony Orchestra and a New Year's concert with the Frankfurt Radio Symphony Orchestra. His recital engagements include performances at the Wigmore Hall in London; the Chatelet Theatre in Paris; the Tonhalle in Zurich; the Lincoln Center in New York; the Societa del Quartetto di Milano series in Milan; and appearances in Salzburg, Tokyo and Korea. Sergey's first recital recording was issued on EMI's 'D�but' label. The present recording of the Khachaturian and Sibelius Concertos with Emmanuel Krivine and Sinfonia Varsovia marks the beginning of his collaboration with the French label Naive Classique. An 18th-Century Guadagnini violin is on loan to Sergey from the Baden-Wuettemberg Antique Musical Instruments Society.

Author: ArmenianEducation
Keywords: Armenian Armenia Famous Armenians
Added: October 30, 2008

ABC Moving Center

ABC Moving Services makes moving in Southern California as easy as, well, ABC. Offering complete relocation services, they plan, pack, move, unpack and inventory your goods with special attention to special goods (fragile items, musical instruments, antiques, etc.) and any special needs you might have. And they're available to help 24/7! Call for an estimate today, and get a move on! Visit us http://www.yellowpages.com/info-SP147469494/ABC-Moving-Center

Author: yellowpages
Keywords: movers moving companies relocation assistance local packing supplies long distance Los Angeles ABC Moving Center California yellowpages
Added: October 30, 2008

Ivory Shrine to Dead Elephants - introduction to Organ at Hammerwood Park

An introduction to the wild 5 manual organ at Hammerwood Park. It incorporates a section as a shrine to Dead Elephants with antique and vintage ivory stop-heads because the organ, as an instrument, is an endangered species and must be revered as elephants in a conservation reserve, seen, heard, listened to and appreciated rather than murdered for scrap or by the onslaught of electronic reproductions in places which should properly house a real pipe organ. There is wonderful music written for this instrument and its composers are not known as Beethoven and Brahms only because they wrote for the organ rather than the orchestra. We have to work hard for the organ not to end up as dead elephants. Organists are very welcome to practice, play, experiment and perform here. I'm fed up of people hearing and loving Widor 5/5 without knowing the other four movements nor the other 9 symphonies. Widor, Vierne, Guilmant (the Grande Choeur Diologue is wonderful!), Pierne, Bonnet and Gigout come immediately to mind. Anyone up for doing a recital? In addition, the instrument will do justice to Balbastre, Beauvarlet Charpentier, M. Charpentier, Dandrieu and Couperin . . . is anyone up for doing such a recital? What I did not cover in this video is the basic English organ at the heart of the instrument. Now almost all of the instrument sounds through special speakers and the Tuba would do justice to Harrison and Harrison and, throughout the development of this concert instrument, the pipe organ behind provides immediate and direct comparison for tonality and balance for the best possible sound to have been achieved from this instrument. It's in a concert room at a Historic House which was built by Benjamin Henry Latrobe in 1792 and formerly owned by Led Zepellin. The room is not large enough for more than a 10 rank pipe organ and so the Londonderry Cathedral temporary organ formed the basis for this much enlarged wild beast. "Toasters" as electronic organs are known to organists are normally second rate, however good, from the commercial manufacturers but for one attraction or another are a danger to pipe organs. However, this instrument goes way beyond toaster that anyone can buy off the shelf and provides a versatility and breadboard for tonal experimentation that is an inspiration to pipe-organ building. From the point of view of performance and repertoire appreciation, I have given minute attention to the detail of how each sound is produced, culminating in my Moucherel Trumpet and Gabrieli Clarion, which no commercial manufacturer can replicate, except the pipe-organ builders. The instrument is particularly valuable as an introduction to the organ to new audiences on account of the intimacy between organist and audience as normally experienced by chamber musicians. Everyone can see what the organist is doing, not indirectly through a screen, but there, in action, before them. Children are always invited into the front row so that they can see, and they become fascinated. For forthcoming concerts see http://www.hammerwood.mistral.co.uk/concerts.htm Audiences are encouraged to bring children and grandchildren. The organ is not just for grey-haired crumblies and anoracs. It is a living, breathing instrument capable of all emotion from the greatest calm to earth-shattering awe. From the latter point of view, this instrument is great fun for organists as it's a rare privilege to be able to draw a 64ft stop. This instrument is fun, because whilst the overall promotion of conservation intention is deadly serious, I do not take electronics seriously and regard them as digital toy-boxes that are to be played with giving us new ideas for registration of performance on pipe organs and inspiration for pipe organs to be built in new configurations. Experimentation with pipework is expensive: this instrument provides a platform for experiment so that expensive mistakes are avoided in pipe-organ design. For instance I had never before considered the value of a Regal or Dulzian in giving just an ounce of definition to pedals. This is really the value of experimentation with digital toy-boxes, because one might not dream of commissioning a conventional pipe organ without a Baroque slant to include such a stop. But with digital experimentation, one can try it out to find out how useful it might be! This is also the value of providing a MIDI output from pipe organs so that possible additions can be tried out. The area in the inner console identified as the shrine to dead elephants is the result of just such an experiment, putting a Gamba and Sesqualtra together with little else. We are much looking forward to a programme from Hugh Potton concentrating on Liszt's Ad Nos and Liszt's pupil Reubke who died at an early age of tuberculosis but wrote one sonata in particular which transports one from heaven, to hell and back again.

Author: latribe
Keywords: introduction to manual organ Hammerwood Park
Added: October 28, 2008